Nicle's No Way Conversely Chapter 10: OBA's Price Difference: The Experience of Using 12-100mmF4-IS-PRO

I'm sorry to say that this design has been designed to complement Olympus's design colors. It's not downloaded from the official website. It's all about expressing your inner joy and respect. This lens is too cool. Thirsty, it is the second M43 lens that I started, belongs to Olympus's high-end PRO series of an exotic: Olympus 12-100mmF4 IS PRO.

The M43 user was shocked by the chin when it was first released, and it also has a 8.3X zoom range + F4 constant aperture + the latest image stabilization technology + PRO level workmanship and three anti-design + full focal length small macro lens design Turned out of the world, this balanced and comprehensive function + performance piled up magnanimity, let a mirror walk the horizon of the concept of an instant expansion of a lot, but also let the price of a mirror to move the horizon increased a lot (ha ha ha, 8499 official price did not Who is it?).

Olympus 12-100_ Taobao search just listed, really distressed price s.taobao.com direct link

This is the first time I have experienced Olympus lenses. It is the first time I have experienced the craftsmanship and optical design of their home PRO line. (Khan... The starting point is a bit high, what to do later...)

Well, not much talking nonsense ~ suppress the excitement and happiness when writing copy, let us begin to enter the first part!

First of all, this lens diameter 72, larger than the Coke cans a circle, really not a small, compact zoom, but taking into account the diameter of the anti-shake mirror group, three defenses configuration and its own parameter specifications, or acceptable.

Rotary zoom ring, out of the lens tube for a cut rather than two (Here, let me think of the 24-105ART has been out, you are all good, is out of two shapes are not like it, right ~ ~~~ I did it.)

Zoom ring metal knurled, praise ~ focus ring metal knurled, praise ~ outer tube from the front silver blue circle below the site is all metal, praise ~ bayonet metal, necessary.

Talk about the feel of it, whether it is focus ring or zoom ring debugging is very good, fine and uniform. With the cool metal knurled feel, two words: comfortable.

Focus ring can be achieved by front and rear push and pull AF / MF switching, MF mode object distance scale will be exposed for easy observation. Here I have to say that Olympus's details are reflected in two points:

1. When the focus ring pulls back to realize the MF mode, it can obviously feel the elastic damping, and then it is the link of the 咔哒 to achieve the MF mode. It is too careful, it may be a design like a damping ring, but it can reflect the ingenuity. You don't know how much better it is than simply being rude and straightforward (yes, Rich X, I mean, I don't say you...)

2. In the AF mode, the rotation damping of the focus ring is obviously different from that of the MF mode. The rotation damping in the MF mode is very close to the solid feel of the pure MF lens of the year. This is a point that the 25PRO does a better job, which is also true. (The exquisiteness of Olympus is really reflected from the details of the plant's value for the user experience, than the professional lens of many plants actually turned the focus ring rotation damping, nothing, really close Oh, um~~~ O’Daddy, I can't blow the camera money back to me ah 233)

Directly past the absolute domain of a gentleman, you can see this shot Made in China.

Because I just touched the lens of Olympus, I don't know if the 12-100 is a special case of the PRO series. Another PRO lens on hand is Made in Japan at the mount of the 25mm F1.2 PRO. This point must be made clear to everyone, after all, the shift of manufacturing lines of certain products in the top series is not a strange thing, as long as the control of quality control, product line supervision and control is good. (A Dafa home, I did not say you 2333)

The other thing is that there is no use of the diameter of the rear mirror group at the bayonet. I looked at even the 25mmF1.2PRO, so we can look at it.

May be to ensure that the light is perpendicular to the CMOS angle of incidence? Or other reason? In short, if you are able to use your spare space in the post, you may have more exaggerated specifications! (Don't call me, please...)

Multi-angle front lens color, or mainly green fluorescent.

Start with the best possible focus, and finish it quickly, quietly.

Whether it is 12mm or 100mm with the E-M5II body, there is no pressure from day to evening. At night, the scene of the F4 camera began to show some dew, especially in the low-light environment. The recognition of the object under the contrast is limited. This pot E-M5II back, do not blame you, comrades

Next, let's talk about anti-shake, because this is one of the highlights of the 12-100PRO that made me most amazing. The previous anti-shake lens also tried quite a bit, but it was the first time it was so effective. The anti-shake performance was able to Stable play, and the motions of the compensating mirrors were not noticeable to me. The above films were shot by hand under the darkness. I had no courage to try them before.

It can be said that efficient anti-shake can make the value of a large zoom lens reach its limit.

It is necessary to upgrade the firmware of the E-M5II to version 2.3. The old body is enough to recognize the new lens, and the anti-shake and anti-shake of the camera body work together. The above picture is a test shot to update the firmware. If the firmware is old, you can only select lens stabilization or body image stabilization. If you turn on the EVF, the framing image will continue to flicker, which will seriously affect the shooting.

Another close-up picture is to know that close-ups can seriously destabilize the image stabilization because jitter can be amplified many times.

It can be seen that the anti-shake system can still maintain high efficiency even in the telephoto environment at the telephoto end, which is really a good news for people who like to go to the horizon.

Well, take a breather, we next check the resolution of this lens, especially the telephoto, because before you start with the 12-100PRO, you hear some netizens say that the lens is good, that is, 100-wide The time was a little weak, well, this should be practiced. I took the camera to the zoo and tried to see the expressiveness when the far end was fully opened. The figure above is not BB, close-range, medium-range, and long-range.

What surprises me most is the expressiveness of this lens when looking at the far end when it is fully open. In many cases, the difference between the telescopic zoom lens and the telephoto focusing lens is not the resolution difference between the medium and close-range but the resolution difference of the distant vision. When the zoom lens is fully opened, the description of the foreground is usually blurred, and the contrast is greatly reduced. The lens of the 12-100PRO is very rigid, and the resolution and contrast are excellent. I estimate it is due to optimization. Optical design and high-precision focus motor.

At least when I use it, I think that this lens has no obvious short board under most object distances. It is really unexpected!

Then talk about macro capabilities... this direct picture is better...

The plants on the roadside and the floral arrangements on the side of the street can be your subject.

Let's say so, if a lens incorporates a powerful zoom range, powerful macro design, and a powerful anti-shake system, photographers' choice of subject matter, composition, and style will become extremely broad.

Also...I missed you, oh, oh~~ dispersion and close-up quality, I used direct combat to show it. The performance is excellent and it is beyond my expectations.

Just the sun is positive, the result is excellent inhibition of chromatic aberration, as for the glare ... I looked at the data, 11 groups 17!

Well, this number of lenses can have this performance when the front is just right, Z coating has been doing its best.

This is the closest object distance, telephoto end of the lens, full aperture quality, resolution, and axial color difference have been very good, so I did not continue to shoot the contraction of the aperture picture, I personally feel that it has little significance .


Super love this shot, O’Cara’s most moving lens ever, OK, sleep!

.......I'm so lazy to write a summary? Is this not the first Oba lens I came into contact with? What makes me most moved?

Well, I can only say that, with the advantage of the optical design of the M43 and Obas itself for their own high requirements (in one end of the world lens piled three aspherical, a double aspheric, five ED, two high The refraction material), the pan-usage and quality balance of this lens is the best I've ever seen!

First of all, all the focal lengths are with a small macro, close-up without short boards, full open resolution is good, fully capable of shooting food, flowers, jewelry; followed by 8.3X zoom range from landscape architecture to portraits to big birds Shots in the near field are shot in focal lengths, and the excellent image quality, quiet and fast focus and high-efficiency anti-shake system reduce the photographer's own attachment requirements, so this lens is a very suitable for the brigade in my opinion. Recorders; gourmet food; especially for the focal length selection hesitant but also has a certain quality of the M43 photography enthusiasts to share, only this example no other home.

The presence of 12-100mmPRO represents Olympus's optical design strength and the imagination and strong ambition of the designers.

I put the size of the entire system roughly under the plan, we can feel that the equivalent of 24-200mm lens to go out to sweep the streets this in the past, I did not dare to think, picking up the power of a chicken. It seems that there is something worthy of apologies. After abandoning the 135-frame area concept, it is really possible to re-optimize the design from scratch and it will be able to play the pattern in the M43 system. This is not the same wonderful, another possibility is presented. .

Pay tribute to the designers of Olympus. Did you see that I styled 666, hahaha! This lens does 6.

The above is a personal summary of the next, thanks for watching, the next Olympus 25mm F1.2 PRO see ~~~!

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Chart package time:

Above ~ Thank you for watching

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